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Study of a Woman's Head, 19th century

Paul-Adolphe Rajon

Not on View

Woman in Profile, 19th century

Sir George Clausen

Not on View
recto: partially reclining body with long hair, leaning on his PL elbow, PR knee raised, looking up; boy wears jacket and knickers; verso: young man wearing long vest and knickers, with bare lower legs and feet, bending over to grasp a small barrel-like object; received framed with both sides of drawing visible

Study of a Seated Boy (recto); Study of a Youth Standing (verso), 18th century

Pieter Jacob Horemans

Not on View
drawing of sculpted head of woman with round face and rather thick neck; hair in waves--wearing headband

Head of Empress Sabina, c. 1776

Marie-Christine Vagliengo Campana

Not on View
smiling boy with short wavy hair

Head of a Young Boy from Sculpture, 17th century

Circle of Annibale Carracci

Not on View
seated male figure with drapery on lap; PR arm raised with elbow bent; head turned to PR in profile

Study of a Young Male Nude Seated, 18th-19th century

Giuseppe Bernardino Bison

Not on View
standing man looking down; man wears a hat and short cloak or blanket around his upper body and holds a short walking stick; blank negative space behind man at right side of sheet

Standing Man, 17th century

Attributed to Cornelis Bega

Not on View
standing male nude, looking up to PL, with left arm extended out straight with left hand in a fist; right hand on top of head; PR leg supporting weight and slightly ahead of PL leg, with PL foot turned outward; long curly hair

Standing Male Nude, 1760s-1780s

Nicolas-Bernard Lépicié

Not on View
portrait profile from PL of balding man with curly hair and pronounced Adam's apple, in red chalk; labeled on sheet in blue ink: H.82; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.83, H.84, H.85; see also L2009.52.67b-d

Head of a Young Man in Profile, 17th century

Unknown Italian, 17th century; Artist: Circle of Cavaliere d'Arpino

Not on View
study of male animal's genitals, in red chalk; labeled on sheet in blue ink: H.83; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.82, H.84, H.85; see also L2009.52.67a,c,d

Study of Male Genitals, 17th century

Unknown Italian, 17th century; Artist: Circle of Cavaliere d'Arpino

Not on View
portrait of a bearded man with PR hand on chin, in red chalk; labeled on sheet in blue ink: H.84; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.82, H.83, H.85; see also L2009.52.67a,b,d

Head of a Bearded Man Looking Down, 16th-17th century

Cesare Rossetti; Artist: Formerly attributed to Cavaliere d'Arpino

Not on View
recto: Mary at top center kneeling on clouds, praying, surrounded by cherubs; figures at bottom kneeling and gesturing, with three figures looking in through a window at center; verso: small sketch of a man's face

Assumption of the Virgin after Domenico Passignano (recto); Head of a Man (verso), 18th century

Jean-Robert Ango; Artist: After Domenico Passignano

Not on View
red chalk drawing of a woman at center with her arms out stretched looking skyward; clouds at her feet; flanked by two putti

Assumption of the Virgin, 1759-1770

Jean-Robert Ango; Artist: After Domenichino Zampieri; Artist: Formerly attributed to Jean-Honoré Fragonard

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Studies of a Head and a Foreshortened Hand, 17th century

Unknown Italian (Bologna?), 17th century; Artist: Formerly attributed to Agostino Carracci

Not on View
woman leaning over and pouring water into a basin viewed from behind; the drawing is a preliminary sketch for the lithograph of the same subject in the series 'Elles' published in 1896

Woman at the Tub, 1896

Henri de Toulouse-Lautrec

Not on View
standing figure with head turned to his PL and holding cape open slightly

Actor Standing with Head Turned to the Right, 1719-1720

Antoine Watteau

Not on View
medallion design with birth of Venus; verso, on white paper, laid down on the blue mount in graphite: an architectural view with standing male figure with left hand, an overdoor gallery with a monkey holding a parrot

Design for a Token: Marine, 1744, c. 1743

Edmé Bouchardon

Not on View

Portrait of a Man, 19th century

Alphonse Legros

Not on View

Portrait of a Woman in Profile, 1785

Joseph Benoît Suvée

Not on View
muscular figure kneeling with head resting on a block; hands clasped in front of block

Saint John the Baptist Prepared for Decapitation, 17th century

Attributed to Mattia Preti

Not on View
standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure

Study for a Portrait of a Field Marshal, 17th-18th century

Jacopo Amigoni

Not on View
woman wearing a lace collar with pulled-back hair, in black and red chalk; labeled in black ink on the image: #86; mounted on sheet with 2 other small drawings--further drawings have been removed; other drawings present are labeled: #85, #87; see L2009.52.66a and L2009.52.66c

Portrait of Woman, 17th century

Circle of Cavaliere d'Arpino

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Study of Figures in a Dome (recto); Figure Study (verso), 1650s

Attributed to Baldassare Franceschini (il Volterrano); Artist: Formerly attributed to Correggio (Antonio Allegri)

Not on View
portrait of a young woman with long dark curly hair, in graphite and black chalk; labeled on sheet in blue ink: H.85; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.82, H.83, H.84; see also L2009.52.67a-c

Head of a Woman, 17th century

Attributed to Cesare Rossetti; Artist: Fromerly attributed to Cavaliere d'Arpino

Not on View
head and torso of dead figure of Christ, lying with head up on drapery; bare-chested; hands unfinished; verso not examined--received framed

PietĂ : The Dead Christ (recto); The Mourning Virgin (verso), 16th century

Unknown Italian; Artist: after Sebastiano del Piombo; Artist: Formerly attributed to Francesco Salviati; Artist: Formerly attributed to Michelangelo Buonarroti

Not on View
standing, slightly foreshortened male figure, viewed from low angle; arms upraised--PR upper arm covers face; squared off in grid

Nude Male Standing with Arms Raised, 17th century

Attributed to Giovanni Lanfranco

Not on View
standing figure wearing heavy, long drapery; figure stands in profile from PR, with head turned to PR; bottom half of face delineated, but not finished

Standing Male Figure, 17th century

Adriaen van de Velde

Not on View

Tree Study, 19th century

Walter Shirlaw

Not on View

Studies of Male Figure, late 19th-early 20th century

Charles Ricketts

Not on View

Studies of Men Turning a Cider Press, 1863-1864

Pierre Puvis de Chavannes

Not on View

Studies of Children and a Young Centaur, 1890

Charles Haselwood Shannon

Not on View

Head of a Grotesque Male Head (facing right), 16th century

Camillo Procaccini

Not on View

%C2%A9 DeWitt Hardy

Untitled (Reclining Nude), c. 1980

DeWitt Hardy

Not on View
Kneeling figure resting on PL knee and PR foot, hands together; 3/4 view from PL, back; hair drawn into low bun; figure wears loose garment, gathered at waist

Study of a Female Figure Praying, Kneeling on Left Knee, 19th century

Camille-Auguste Gastine

Not on View
recto: old man with long beard and moustache, wearing a hooded cloak, with his PL arm and part of his body hidden by a wall; verso: study of a nude winged figure with arms up toward right, looking toward left; study of a hand holding a curved baton (?) in ULC

Study for Notre Dame de la Croix, Paris (recto); Nude Angel (verso), c. 1870

Jules Louis Machard

Not on View
recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward

Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century

Unknown French, 18th century

Not on View
Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid

Madonna and Child Adored by Two Male Saints, 17th century

Alonzo Rodriguez

Not on View
standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers

Standing Man in a Sheepskin Coat, 1778

N. Grenicher

Not on View
drapery over back and PL arm of a kneeling figure; very light, very sketchy head and hand

Drapery Study, 1711

Bernard Picart

Not on View
standing figure wearing a draping cloak with only the PL arm exposed, with PL hand holding a round object; long wavy beard and wavy hair; smiling face; wavy fur visible beneath cloak

Study of a Statue of Pan, 1520s

Attributed to Polidoro da Caravaggio

Not on View
Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC

Baptism of Christ, 17th century

Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio)

Not on View
head, torso and upper legs of standing figure, holding partially reclining boy down by his head; man holds dagger in PR hand; man turns to look at small angel behind man holds man's PL arm; sketchy; watermarks (or pencil sketches?) on back of mount--shield and circle with bird

Sacrifice of Isaac, 17th century

Attributed to Giovanni Andrea de' Ferrari; Artist: Formerly attributed to Gioacchino Assereto

Not on View
image of right hand and arm, with arm stretched out horizontally and hand held palm up

Right Hand and Arm, c. 1625-46

Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View
seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane

Seated Male Youth Reading a Book, 16th century

Attributed to Pietro Faccini

Not on View

Study for Raising of Lazarus, c. 1677

François Verdier

Not on View

A Youth in Marmiton Costume, 1899

Charles Haselwood Shannon

Not on View
mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed

Angels Looking Down from Clouds (recto and verso), 17th-18th century

Matteo Bonechi

Not on View

View of the Colonnade and St. Peter's Basilica, Rome, early 1760s

Hubert Robert

Not on View
seated nude male with long curly hair; PL arm across lap, PR arm resting on top of backrest, head lying to backrest, leaning back to PL, ankles crossed; study of an arm in LLQ

Seated Male Nude, c. 1620-1650

Unknown (Italian, Bologna or Rome, 17th century); Artist: Formerly circle of Andrea Sacchi; Artist: Formerly circle of Pietro da Cortona (Pietro Berrettini)

Not on View
head of a man with a medium-length curly beard and shaggy, curly hair; man has solemn expression

Portrait of a Bearded Man, 17th century

Attributed to Nicolas Lagneau

Not on View
mounted on heavy paper with grey and black borders; green overmat; profile of man from PL side; man is balding, with stray tufts of hair on front of head, thin scraggly beard and moustache, and long eyebrow hairs; man has closed eyes and open mouth; wearing red shirt and grey cloak

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View
sketchy style; seated Madonna at R with head drawn in two different poses, holding infant Jesus; another figure at L behind St. John

Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist, c. 1600-1635

Attributed to Giovan Paolo Pisani; Artist: Unknown Italian (Tuscan), mid-16th century; Artist: Formerly attributed to Alessandro di Agostino Casolani

Not on View
sketch of a striding heavily draped figure; brown ink

Study of a Male Beggar, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
view of St. Peter's Basilica in Rome from entrance to Vatican Square-carriages, pedestrians and figures on horseback in foreground; two running fountains at middle ground

View of Saint Peter's Square and Basilica in Rome, c. 1846

Attributed to Ippolito Caffi

Not on View
upper torso, arms, head of winged youngster with chubby cheeks, looking up toward URC; torso, arms and head of stretching male figure on back

Putto, 17th century

Cristoforo Roncalli (il Pomarancio)

Not on View

Half-length Study of a Woman's Right Arm Extended, Seen from the Back View, 19th century

Alfred Stevens

Not on View

Six Studies of a Female Nude, 19th century

Charles Chaplin

Not on View

Studies of Hands, 1770s-1780s

Attributed to Louis Roland Trinquesse

Not on View
mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure

Triumph of Galatea, c. 1630

Cavaliere d'Arpino

Not on View

Study for a Figure of Balaam (recto) and Study for a Right Arm (verso), 1682-1683

Carlo Maratti

Not on View

Saint John the Baptist, c. 1605

Attributed to Theodor Matham

Not on View
four small sheets, each with one figure, mounted together on a larger sheet: each study numbered (left to right): 301 (?), 102, 100, 302 (?); #301 (ULC): male with heavy beard wearing a skirt, leaning on PL leg with bent knee, PL arm up with elbow bent; #102 (URC): nude male wearing a flowing cape, leaning PR knee on an invisible support; #100 (LLC): standing woman wearing a helmet and a log dress with a shield on her PL upper arm; #302 (LRC): striding man wearing loop of flowing fabric, body twisted to PL with PR arm extended downward

Four Figure Studies, 18th century

Unknown French, 18th century

Not on View
4 small sheets, each with one figure, mounted together on a larger sheet; each study numbered (L to R): 70, 50, 111, 56; #70 (ULC): nude male with PR arm upraised, PL hand holding shield, weight on PL leg, PR leg extended back off the ground; #50 (URC): nude male from back, striding, looking back, with PR arm over head; #111 (LLC): seated nude with both hands on head; #56 (LRC): standing nude with PL foot on block, PR arm raised, looking down, holding an object in each hand

Four Studies of Male Nudes, 18th-19th century

Unknown French, 18th century

Not on View
2 soldiers at center; soldier at L grabbing the shoulders of soldier at R; caped man at L extends arm and rushes toward soldiers; figures with cow at R; 2 jugs, LLC; black and brown ink

Mucius Scaevola Before Porsena, 1740s

Gaspare Diziani

Not on View
standing man wearing purple pants, short jacket, hat and heavy clogs; man has white hair and holds his hat brim in his PR hand; received attached thick mat board

Standing Man Tipping Hat, Study for "Enterrement en Vendée", 19th century

Auguste Louis Lepère

Not on View
two arms with fingers extended, as if playing a keyboard; view from PR side of body; figure wears fitted long sleeves

Study of an Arm and Hands Playing an Organ, 1609

Attributed to Francesco Vanni; Artist: Formerly attributed to Bernardino Mei

Not on View

Peony, c. 1790-1810

Unknown

Not on View

Allegorical Self-Portrait, 1867-1873

Simeon Solomon

Not on View
tiger lying down with eyes open

Royal Tiger, 1829

Eugène Delacroix

Not on View

Study of a Seated Youth, early 1590s

FerraĂą Fenzoni

Not on View
recto: dead Christ's body in zigzag shape, with head bent back, legs bent at hips and knees, seen from PR; curly hair; verso: loose rendering of a young man's head, upper arm and hand

The Dead Christ (recto); Studies of a Young Man, His Arm and Hands (verso), c. 1721

Antonio Balestra

Not on View
Christ shown being disrobed among anguished figures

Christ Stripped of His Garments, 1600-1606

Francesco Vanni

Not on View

Mon Ă©pouse? Elle a un anneau dans le nez: l'anneau du mariage, 19th century

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy

Putti Floating a Banner, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side

Study of a Figure in Priest's Robes, c. 1650

Jacob Jordaens

Not on View
ink with red wash; women with jugs and baskets at R; male figures with camels at L; seated figure seen from back, LLC; city with buildings and sculptures in background at R

Laban and Rebecca Receiving Eliezer, 1562-1563

Maerten de Vos

Not on View
smiling man with curly beard and long moustache, wearing foliate wreath

Head of Pan, 16th century

Attributed to Giulio Romano

Not on View
recto: female nude, with lower legs undefined, seen from PR side, with upper body twisted to left; PR arm raised; verso: portion of a drawing with two figures in a boat at center; landscape in background with three standing figures; pointing hand at left edge of sheet

Twisting Nude (recto); Two Figures in a Boat with Landscape (verso), 16th-17th century

Formerly attributed to FerraĂą Fenzoni

Not on View

Geese and the Approaching Storm, 1879

FĂ©lix Bracquemond

Not on View

View of Campo Vacino, Rome, 1767

Charles Joseph Natoire

Not on View
mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout

A City Square with Tradesmen, 17th century

Giovanni Maria Tamburini

Not on View

Venus and Cupid (?), c. 1800

Giuseppe Bernardino Bison; Artist: Gaspare Landi

Not on View
verso: angel standing on cloud at right, with PR arm upraised; kneeling Mary at left with wrists crossed, hands on chest; cherubs in clouds overhead; another smaller angel, ULC; squared off in a grid in red; received framed; see 2012.58.39b for recto

The Annunciation (verso), 17th century

Matteo Rosselli

Not on View
mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand

Battling Tritons and Men on Hippocampi, 16th century

Pellegrino Tibaldi

Not on View

Study of Male with a Shield (recto) and Female Torso, Back (verso), Pages 81 and 82 from a book of studies, c. 1880-1890

Edward Coley Burne-Jones

Not on View
mounted on ivory paper; study for a sculpture of a standing male in a contrapposto pose, with PL arm held up; each hand holding a staff; figure stands on a dolphin on top of a base with shells and foliate swags; another smaller figure study in same pose at right; study of a hand holding a staff in red chalk at left

Study for a Fountain of Neptune, 16th-17th century

Cherubino Alberti

Not on View

Head of a Woman and Study of Hands, 1837

Sir David Wilkie

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View
standing nude woman; contraposto pose with PL arm out with elbow slightly bent; head tilted to PR

Standing Female Nude, c. 1650-1689

Conrad Meyer

Not on View
mounted to ivory paper with grey border; three putti; foremost putti holds a cello

Putti Playing Music, Design for a Pendentive, 1538-1539

Pomponio Amalteo

Not on View

La Bonne Mere, c. 1830

Octave Tassaert

Not on View

Allegory of Painting, 1729

Jacob De Wit

Not on View

Untitled (Face in profile), 2003

Gerhard Multerer

Not on View

Untitled (Standing figure), 2003

Gerhard Multerer

Not on View

Family Scene, c. 1830

Octave Tassaert

Not on View

Untitled (Fowl and wing), 2003

Gerhard Multerer

Not on View

Untitled (Duck), 2003

Gerhard Multerer

Not on View

Study of Figures (recto and verso), Pages 83 and 84 from a book of studies, c. 1880-1890

Edward Coley Burne-Jones

Not on View

Untitled (Flug), 2002

Gerhard Multerer

Not on View

Studies of Female Heads, Pages 55 through 62 from a book of studies, c. 1880-1890

Edward Coley Burne-Jones

Not on View

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